Prior to my preliminary, I did not realise how easily I could break the flow of the film, just by moving myself slightly.After seeing the break in continuity in my preliminary exercise, I was more wary of my footage and checked after filming. I knew more about how to stop filming and continue without breaking said continuity to show more angles and allow for more understanding of the piece. Mise-en-scѐne was also more of a consideration as I realised it was a vital tool for characterisation, particularly in my piece which had no speech in.
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